NOFX
Forty Years of "Problematic" Punk Provocations
NOFX
Forty Years of "Problematic" Punk Provocations
For information on how we process your data, read our Privacy Policy
Description
This collection of scholarly essays analyzes how NOFX's aesthetics of punk provocation and discomfort provokes the band's listeners to confront contradictions and conflicts in society concerning politics, identity, authenticity, and decorum.
For forty years, NOFX's brand of witty, offensive, humorous, juvenile, intelligent, existential, political, anti-PC, and/or philosophically probing punk has reared several generations in punk attitude and ethos, for better or worse. They pioneered melodic yet hardcore So-Cal punk style, rode the wave of mainstream punk popularity in the 1990s, protested the Bush administration in the 2000s, and has continued its punk provocations up through its impending retirement in 2024.
NOFX's aesthetics of provocation and discomfort force us to think about the positive value and problems caused by a longstanding attitude within punk, namely the disposition towards shocking and offending mainstream society. Their music challenges notions of punk as simplistic, stripped-down rock requiring little musical skill, as the band has incorporated virtuosic guitar and bass playing, an array of chords and harmonic approaches, borrowings from various musical styles, and song structures of considerable complexity, broadening punk's expressive possibilities in the process. This book explores these and other contentious topics from scholars in a variety of fields.
Table of Contents
Introduction: So Long, and Thanks for All the Provocations
by Ellen Bernhard (Georgian Court University, USA), Stefano Morello (The Graduate Center, CUNY, USA), and David Pearson (Lehman College, USA)
Part 1: Punk Humor and Satire
1. They've Actually Gotten Smarter: NOFX, Rhetorical Snottiness, and Punk Continuities
by David Ensminger (Lee College, USA)
2. Music Speaks Louder than Words (Or Maybe About the Same): Humor and Meaning Through NOFX's Subversion of Expectations
by Jose M. Garza, Jr. (Texas State University, USA)
3. Beer and Joking in Las Vegas: Punk Humor and Punk Hypocrisy
by Paul Fields (Buckinghamshire New University, UK)
Part 2: Politics and Futurities
4. From No Future to Nope, Future: NOFX's Contradictory Approaches to Punk Rock in Perpetuity
by Ellen Bernhard (Georgian Court University, USA)
5. Leave it to Fat Mike: PunkVoter as Infrastructure of Dissent
by Stefano Morello (The Graduate Center, CUNY, USA)
6. The Error State: Becoming Radical While Punk Gets Liberal
by Joseph Boisvere (The Graduate Center, CUNY, USA)
Part 3: Identity and Representation
7. It's Complicated: NOFX, White Masculinity, and the Ambivalences of Punk
by Justus Grebe (Justus Liebig University Giessen, Germany)
8. Don't Call me “Bro” and Don't Call Me Cis: Fat Mike's Queer(ed) Punk Performativity
by John Ike Sewell (University of West Georgi, USA)
9. Radically Queer Community in Home Street Home
by Michael Simmons (College of the Canyons, USA)
Part 4: Being and Sounding Punk
10. “Kicking in Heads at the Punk Rock Show”: How NOFX Performs Punk Authenticity
by Robbie Segars (University of North Texas, USA)
11. Because I'm Punk! How NOFX Navigated its Social Evaluations and those of Punk Rock
by Lorenz Graf-Vlachy (TU Dortmund University, Germany) and Timothy Pollock (University of Tennessee, USA)
12. Sybaritic Sounds, NOFX, and the Harmonic-Timbral Line
by Lance D. Morrison (Boston University, USA)
13. The Sounds of Soul Doubt in the Music of NOFX and the Aesthetics of Gen X Romanticism
by David Pearson (Lehman College, USA)
Index
Product details
| Published | Jul 10 2025 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Extent | 256 |
| ISBN | 9798765128619 |
| Imprint | Bloomsbury Academic |
| Dimensions | 9 x 6 inches |
| Publisher | Bloomsbury Publishing |
Related Titles
