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Spies, Scientists, and Cold War Fictions
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Description
During the Cold War, science and spy fiction moved from the cultural margins to reach new heights of popularity. Spies, Scientists, and Cold War Fictions explores how these genres didn't just reflect the era – they shaped the diplomatic, military, and scientific realities of the day.
Joshua A. Sanborn traces the relationship between adventure narratives, the emerging roles of scientists and spies, and the superpower rivalry. Drawing on works like Ian Fleming's From Russia With Love, Philip K. Dick's Do Androids Dream of Electric Sheep?, Tom Clancy's The Hunt for Red October, and the Soviet classic Andromeda Nebula, Sanborn shows how real events, from the rise of Soviet 'science cities' to the development of the U-2 spy plane, often felt torn from the very pages of these novels.
Blending cultural history with literary analysis, this book offers a guided tour through the Cold War imagination, revealing how fiction and fact intertwined in shaping a world on the brink of annihilation.
Accessibility Information
Additional accessibility information
- PDF/UA-2, 1.4
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
Has alternative text descriptions for images
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
Table of Contents
Foreword
Introduction: War of the Worlds (H. G. Wells, 1897)
Chapter One: From Russia with Love (Ian Fleming, 1957)
Chapter Two: Andromeda Nebula (Ivan Efremov, 1957)
Chapter Three: The Station Chief's Mistake (Oleg Shmelev and Vladimir Vostokov, 1966)
Chapter Four: Do Androids Dream of Electric Sheep? (Philip K. Dick, 1968)
Chapter Five: The Left Hand of Darkness (Ursula K. LeGuin, 1969)
Chapter Six: Seventeen Moments of Spring (Tatiana Lioznova, 1973)
Chapter Seven: The Hunt for Red October (Tom Clancy, 1984)
Chapter Eight: The Doomed City (Boris and Arkady Strugatskii, 1988)
Conclusion: The Americans (Joe Weisberg, 2013-18)
Product details
| Published | 21 Jan 2027 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 384 |
| ISBN | 9781350425521 |
| Imprint | Bloomsbury Academic |
| Illustrations | 30 bw illus |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Sanborn's utterly absorbing book on the intersection of politics and fiction in the cold war era gives us a new way to think about what culture itself is.
Joe Weisberg, creator of The Americans
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Genre fiction is often dismissed as “mere entertainment,” but Spies, Scientists, and Cold War Fictions demonstrates that it powerfully influenced the history of the Cold War. Moving deftly between American and Soviet examples, Sanborn shows how spy novels and science fiction shaped the thinking of politicians, spies, military planners, and the public. Beautifully written and broadly conceived, this book makes a compelling contribution to work on the role of imagination in politics, diplomacy, and public affairs.
Timothy Melley, author of The Covert Sphere: Secrecy, Fiction, and the National Security
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Joshua Sanborn lures readers in with fun, resonant plots from Western and Soviet science fiction or spy novels and films-From Russia with Love, The Hunt for Red October, Seventeen Moments of Spring. Then he delivers the punch: extensive historical background! Turns out the spies and scientists were reading the Cold War fictions that modeled and even influenced their professions, and this book reveals a lot about them.
Sibelan Forrester, Susan W. Lippincott Professor of Modern and Classical Languages and Russian, Department of Modern Languages and Literatures

























