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Empire of Topsy-Turvy

Gilbert and Sullivan's Transformation of Victorian Musical Theatre

Empire of Topsy-Turvy cover

Empire of Topsy-Turvy

Gilbert and Sullivan's Transformation of Victorian Musical Theatre

Description

“Without Gilbert and Sullivan, there would be no Sondheim, no Lloyd Webber, no Lin-Manuel Miranda. Their operettas laid the groundwork for the modern musical, blending satire, melody and narrative in a way that still resonates today.” (Telegraph)

The Gilbert and Sullivan operas – including The Mikado, H.M.S. Pinafore, and The Pirates of Penzance – rapidly became a theatrical sensation when they premiered in late Victorian London. Despite their seeming trivial character, the operas' libretti, musical settings, and performance style were so innovative as to be revolutionary.

Empire of Topsy-Turvy provides a vivid, fresh, and accessible account of why and how these path-breaking nineteenth-century comic operas by dramatist W.S. Gilbert and composer Arthur Sullivan became such a spectacular success in Britain and a lasting national institution. Gilbert's topsy-turvy satire combined with Sullivan's equally satirical and charming music created a distinctive genre of light operatic entertainment. This new critical study, in turn, combines biography, storyline and analysis to delve into Gilbert and Sullivan's performance style and the appeal of the operas and the Savoy Theatre to a strait-laced middle-class audience and nationalistic sentiment.

Designed for all readers interested in the Gilbert and Sullivan operas as well as theatrical history in general, and drawing on extensive research from archival sources on both sides of the Atlantic, alongside recent work by other scholars, Empire of Topsy-Turvy explains how the Gilbert and Sullivan phenomenon emerged in the last quarter of the nineteenth century, what made the operas so innovative, and why they drew such large and devoted audiences.

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Table of Contents

Introduction

Part One
One: Arthur Seymour Sullivan
Two: William Schwenk Gilbert
Three: Richard D'Oyly Carte
Four: Helen Lenoir

Part Two
Five: A New and Original Vein
Six: Autocrats of the Stage
Seven: Light of the Future
Eight: Very Delectable, Highly Respectable
Nine: We Are the Very Model of an English Comic Opera

Part Three
Ten: I Have Lost the Liking for Comic Opera
Eleven: A Disposition to Kick Away the Ladder
Twelve: The Last Straw

Epilogue

Product details

Explore Methuen Drama
Published 04 Feb 2027
Format Ebook (Epub & Mobi)
Edition 1st
Pages 304
ISBN 9781350613935
Imprint Methuen Drama
Illustrations 30 b&w images
Publisher Bloomsbury Publishing

About the contributors

Author

Richard Godbeer

Richard Godbeer is the award-winning author of ma…

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