MT
Mark Taylor-Batty
Categories:
Series Editor of:
- Authenticity in Contemporary Theatre and Performance,
- Beat Drama,
- The Contemporary American Monologue,
- Drag Histories, Herstories and Hairstories,
- Howard Barker's Theatre: Wrestling with Catastrophe,
- Mediatized Dramaturgy,
- Political Dramaturgies and Theatre Spectatorship,
- Postdramatic Theatre and Form,
- Robert Lepage / Ex Machina,
- Ruth Maleczech at Mabou Mines,
- Social and Political Theatre in 21st-Century Britain
Anthology Editor of:
Translator of:
Biography
Mark Taylor-Batty is Associate Professor of Theatre Studies and Deputy Head of School in the School of English at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (Faber and Faber, 2005), Roger Blin: Collaborations and Methodologies (Peter Lang, 2007) and, he co-authored with his wife, Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (Continuum, 2009).